When I write the first draft of a novel, I normally don’t think much about marketing. I tell the story that falls into my head, the one that has the most energy and won’t leave me alone until I finish writing. And then I think about how to sell it.
Even while I was writing Don’t Tell Anyone, which I’d titled The C Word at the time, I knew I’d face some serious challenges once I published it. But I still felt compelled to complete the novel and release it, hoping it would find an audience, secretly terrified that even if it came out well-written, thought-provoking, insightful or whatever good adjective you want to plunk on it, people would hear the word “cancer” and run. Continue reading