This guest post from Marcy Kennedy on Kristen Lamb’s blog nails it. Dialogue needs to flow naturally from characters. Overloading it with plot points that both characters know? Unless one of them is suffering from memory loss, it will most likely sound forced.
Writing a stand-out novel involves a lot of individual pieces working together in perfect concert. If there’s no solid plot? Readers get confused, lost or bored. If the plot is great, but the characters are all one-dimensional paper dolls? No one cares. If we butcher grammar, spelling and formatting? It’s a formula for dismal sales or even a long line of one-star reviews from ticked off readers.
Hey, the world may think writing fiction is easy, but we all know differently ;).
One of the best ways to move plot forward with increasing momentum and to create living, breathing characters is by harnessing the power of dialogue. As an editor for twelve years, I can tell you dialogue is one of the single largest components of writing great fiction, and it’s the part that’s most often butchered. The story can be great, the setting, the prose?
….and then comes…
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Laurie Boris 
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